188bet体育网址 感謝來自築睦建築設計事務所/ZHUMU Architectural的商業空間項目案例分享：
The simplicity of concrete always helps the characteristics of other materials to be manifested as much as possible.
This project is located in the Tianhe South Neighbourhood of Guangzhou. Due to its excellent location, tranquility can be enjoyed while the business area can be easily found only by having few minutes’ walk. It is a right place for the workshop with research and visit attributes.
What we have created like a perfume vessel made from concrete more than a architecture.
In order to satisfy the owner’s low-key and amiable and easy of approach space requirements:The studio is essentially a part of this village, but it is also an independent individual.After discussion, we used a combination of concrete and black stone-like paint.In this way, the whole perfume vessel is finally complete.
The studio is divided into several areas for different functions, new product display area, exhibition lobby, candle and aromatherapy platform exhibition area, reception, warehouse, fragrance room, candle workshop, and wash room From product display area to product modulation, customers who come to visit can also have a good understanding of the advantages and characteristics of the brand’s products both superficially and profoundly.
we try to introduce the space with perfume as an introduction.
前調，又名頭香、頭調、初香 Top notes
The owner of this workshop is a low-key designer with strong characteristic. At the first conversation with him, the owner emphasized that this workshop is not for the Internet celebrities to linger, nor be the place needed to be paid too much attention on the visitors. However, the studio is still a space to welcome guests. To satisfy these requirements, we need to find a perfect balance on the design, not only as much as possible to maintain a low profile, but also without losing style.
Consensus between us and the owner has been reached to fulfil the demands, using as few as possible or even a single element to show this will.
中調即核心調、中味 、根本所在Middle notes 我們選擇了混凝土。We chose concrete 混凝土能讓人主觀上忘卻他本身的味道。當空間全部流淌著混凝土的時候，會讓你更關注空間的其他事物，從而更容易讓你墜入空間主人特意為你帶來的體驗。
When the space is full of concrete, you will pay more attention to other things in the space, and the experience brought deliberately by the owner of the space can be easily acquired.
要做到這種抽象的空間體驗，我們在材料運用上對混凝土依賴有加，猶如將巧克力醬滿滿地澆到一個蓬鬆的蛋糕的裏裏外外，大至外觀，細至孔洞，滿目皆混凝土的所在。空間內不同的幾何造型，包括桌麵地台 門框 窗戶，將充滿視野的混凝土可能帶來的視覺疲勞減至最低。而透過窗戶和業主精心挑選的各種燈具的光線照射，各個混凝土物體的表麵更鋪灑著微妙的高級灰變化。
To achieve this kind of abstract spatial experience, concrete is the major materials we use, just like completely enveloping a fluffy cake with chocolate sauce. The visual fatigue caused by the concrete can be mitigated by various issues with different geometric shapes, such as desktop platform and windows. Illuminated by the light from outside or various lamps elaborately selected by the owner, subtle change of the high gray can be demonstrated on the surface of the concrete object.
這一切都是那麼地靜逸、淡雅。All this is so quiet and elegant. 在這之上，當調配師工作或者參觀者打開香水瓶子的瞬間，隻有那一刻才會擁有的味道立刻就依附在了整個空間的混凝土上，重新定義了當時的混凝土氣息。
Under this circumstance, when the blender works or the visitor opens the bottle of perfume, the smell that only exists at that moment is immediately adhered to the concrete of the entire space, transforming the atmosphere of concrete at that time.
And these moments. It will happen continuously at different moments.
莫裏茨·科內利斯·埃舍爾（Maurits Cornelis Escher） 是世界最著名的視錯覺畫家。他的繪畫讓人真正的感受到”眼見未必是實”——在他的筆下，所有一些不可能的景象都可能實現。空間的彎曲使纏繞成為可能，今天我們知道，物理空間可以因為引力而彎曲，它無界卻可以是有限的，無界不等於無限。看來埃舍爾的數學思想很深刻，都蘊涵在他的畫裏。埃舍爾具有不可思議的魔力，征服著人們的心靈。
Is the most famous optical illusion painter in the world. “Seeing is not necessarily real” is what his paintings tell people-in his pen, all the impossible scenes can be realized. Entanglement has been become reasonable by the distortion of space. Today we know that physical space can be bent because of the gravity. It is unbounded but finite, and unbounded does not mean infinite. It seems that Escher’s mathematical idea is very profound, and they are all reflected in his paintings. Escher has incredible magic powers, having fascinated people’s hearts.
In a flat space full of concrete, it seems impossible that there is no relationship between different space. But we were inspired by Escher’s impossible space to try to produce something impossible. Therefore, we try to treat each space (room) as an independent carrier, artwork, and sculpture in the design process. In the process of hand drawing, computer graphics, and even manual model making, we regard this as a psychological hint—what is the impossible possibility. What kind of unpredictable features of the space created by this approach will be found? This is a very interesting attempt. Each space doesn’t have to be observed from the angles by which people accustom themselves to view the world. In this dimension, we can see the similarities and differences between them. We can also better comprehend the unique characteristics of each space. This may be the fun of Escher space.
After all, what we create is a space for people. Too pure expression will make people feel uncomfortable only. We take concrete as the main theme, and at the same time, we add several “seasonings”.
FAÇADE & INTERIOR DESIGN:ZHUMU ARCHITECTRUL
AREA: 101 ㎡
LOCATION: GUANGZHOU. CHINA
DESIGNER:BAN HU/ JIEHENG LI/LIN CHEN
MATERIAL: CONCRETE、STAINLESS STELL、WOOD、LIGHT BRICK、GLASS
PHOTOGRAPHY COPYRIGHT: BAN HU